It says: “Now he crowns his meteoric rise to fame with a fiery burst of dramatic power as hard-loving, hard-living Danny Fisher, who sang his way up from the gutters of lusty, brawling New Orleans.
“There were to be many women in Danny’s life, but only two who really count: Nelly, who knew too little about love, Ronnie, who knew too much.”
Jones had come into the film riding high on the success of 1957’s The Bachelor Party, which had earned her a Best Supporting Actress nomination.
However, her unwillingness to kiss Elvis on set had nothing to do with her career or any personal feelings about her handsome leading man.
Jones described their conversation: “(I told him) ‘Isn’t there some way you can get around kissing me because I’m so germy that I’m gonna kill you.’
“He said, ‘That’s all right; maybe it’ll get me out of the army,’ and he necked away like crazy.
“He went off to the army and I took to my bed for two weeks.”
Jones’s poor health didn’t just affect her on the set of Kid Creole.
She suffered from asthma and was prone to illness. The role of Alma in 1953’s From Here To Eternity was actually written for her but she had to pull out when she was hospitalised with pneumonia. Her replacement, Donna Reed, went on to win an Oscar for it.
Always highly respected within Hollywood, Jones found worldwide fame in 1964 as the wonderfully odd Morticia in the ground-breaking television series, Addams family. It only ran for two years but had a huge cultural impact
Jones said of the role: “I loved that show. I was sorry to see it go. Morticia was the perfect role for me because my sense of humour is just slightly off-centre.”
Dogged by health issues, she died young at the age of 53, in 1983, from colon, liver and stomach cancer.